LISTJ’ FORM ´BANKSHDRYamaha DX7II Perform Bank r 3ðC ~LM 8973PM÷jpC 31Šm«ãâDXiiPbk+ˆÙCOMM€FIND€FILE Pianos1.PbkTRAN< ðC~ jLM 8973PM jp÷ qrÿRECV ðC ~LM 8973PM÷rÿAUDIXE ðC~=LM 8973PE3 =C÷ DEEÿXTRABODYrðC~ jLM 8973PM<2ccccc2222HI E.PIANO <2ccccc2222DET-PIANO <2ccccc2222PIANO-MRB <2ccccc2222RHODES 1  <2ccccc2222KICK PIANO Expand !!<2ccccc2222Released Piano ""<2ccccc2222USA RHODES ##<2ccccc2222KLAVIER <2ccccc2222MARK III <2ccccc2222HI CLICK RHODES <2ccccc2222SOFT PIANO <2ccccc2222STEINWAY $$<2ccccc2222ELEC.PIANO %%<2ccccc2222RHODES 2 <2ccccc2222BALLERINA <6ccccc2222WURLIZER &&<2ccccc2222SYN.PIANO 1 ''<2ccccc2222SYN.PIANO 2 %#<3ccccc2222KLAVIER-RHODES "<0ccccc2222WARM PIANO <2ccccc2222ZANKI 2 ()<2ccccc2222ECHOFENDER 00<2ccccc2222FOSTER PIANO >><2c cccc2222RUB.RHODES ==<2ccccc2222FULL TINES ??<2ccccc2222HARD TINES <$$2ccccc222220th Piano <<<2ccccc2222PIANO-BELLS <2ccccc222280er Club Rhodes  < 2cccc2222-------------  < 2cccc2222-------------  < 2cccc2222------------- FORM$ BANKSHDRYamaha DX7II 64 Voice Bank @€ vðC ÷C €1ŠkZàãDXii64BCOMM€FIND€FILENewTRAN¾ðCL÷èðCM÷è ðC ÷ èðCL÷èðCM÷è ðC ÷ ÿRECV†ðCL÷èðCM÷èðC ÷èðCL÷èðCM÷èðC ÷ÿAUDI2 ðC ›¡÷ ¢£ÿXTRA1Šk“BODY ðC cLNL3 :]c"&cUZP Bc_ bc]ccc&bbXYc"&cUhZP Bc_l ccbK<2222# KICK-PIANOccccccc8:ccccccc8Tcc&ccc;Xccccccc8Yccccccc.08Wcc0ccc8\cccc2222#! D6 + c cccLD*G+aaascHF?Fcc$#aa;accccgE*G"aaacccccc2222 $Ballerina cN#ccJI(W@)cW, :T6([Y9O\c2cT9W cP:!cY1c 7cc.1c`; ccccc2222 Cembalo ]L "/Rcc'#ccDc 8[_Tc2U?cc.KBc<'``8 ?c,cHcp]PBcY_<ccccc2222-0Clav.Exp. Uc2cc1;K Uc2cc13RUc2cc1; `Uc2cc13 Uc2cc1;cUc2cc1; ]c2222 # Clavinova _2c_)sO_2c_c_2c_;Y_2c_;c_2#^[K*c:L ;R`CcKSccccc2222"!8Clic Pian Z cc'&'P\$[Z0R 3QQ7cP$c$`Z! [B$)Fcccccc W VQ0cc$/ ccccc2222  CP-70 Z4c<:K_Nc_;caD cQ;<_cP$$;c_cK;J`!cK;b^C_<2222"! Det-Piano F=Bcc` c? I PcK 7R@0cR]Qccc 7FccK _ND0cR-]cccc2222! exc.Grand ccKc /UQ:$'c1B/`:J-cN&cQccc7JccK _ _K0cRU.ccccc2222  Hel.still \G:$c"buEcZG!c^^a cV0&TZ2cU"ES _cK MVP 2c>=`^C_<2222@ Honk-Tonk PI c5 ;Yb[Z)B\Z@2ca? C]ZP SC+ ; Vb$ [Z222ZZ4c_7< ; ]cccc2222- Kla 5 K1'c_# 5K W` 'Uc04Kc)-cZcQGCXMNSc X-0\XHaQc6cRU) c^C_<2222# Kurzweil1 c9aT#dP c? cc*2GC$$aK.UMH c25c_KcCH'cK,c3cQK2=cj ccccc2222 #1 Kurzweil2 K1 $c_# 3N R8 'c\0*Nc /cZ#cj cX<EZMNDc bG*YXH ZYc!6c^c c^C_<2222# Kurzweil3 ^"UcY"(S\^cW7YV M_=2Cc V]IH5cY S cUT6c[3c&^NU6cY & ccbK<2222  RHODES A *3O2c<\85MTOc.; _N*Cc 7:cKCcK%;/B KDcc0F;WK1cc[C; c ;2222 "!  Deadrhodes*3O2c<\85MTOc.; _N*Cc 7:cKCcK%;/B KDcc0F;WK1cc[C; c ;2222 "!  Mark III Z2cU.AF^Z2cU.F<Rcc212'7>RZ]2c?.O[0c /cK72Zc"'/c>'c Cc^C_<22221 Pianet ccL;cc.=`>c2cc < cc:$c] kcc-3cc cjc2222" Piano-Mrb `2c_.59K_`2c_.S b`2c_.59#``2c_. #b_2#NcH'c;F`CcJ; ccccc2222 8 Rhodes 1 c.#NcP3Nc,2c_cKH2c^c :`_2c_#c4c.#NcP;Qc,2c_[c^C_<22228Rhodes 2 Y0c\'0;dTY0cY.\c]0c].0;T]0c].ccccccccc8W[cc3ccc':Ncccc2222" Rhody _2c_)sO_2c_c_2c_SY_2c_#c_2#NcKS:`CcKSc^C_<2222"!8Soft-pian cK':8#"cD9cZ.,H Za2=cb:c cDUcZc'2 Ya2Ccb:ccccc2222#aSYNPIANO Acc &cccc/)c_8cc c "c0ccc )c`ccc chccc 'cccccc2222G 1ECHOFENDERcc &ccc*#)bN8Xcc "c0ccc )c`ccc chccc 'cccccc2222$41ECHOFENDER5@ 6FYZ7V^ZX& a\T''s>`2 6[^_2YY-# ^ac,BJDQ*RZ[61R-,^ba:c(^C_<2222-!>D.BAS 24.75@ 6FQN7 P 5C&6V\TRO`6c\Y"M0-#c^ac.8O"\Q-RZW.9Y/2^ba:]^C_<2222"#%D.SANCIOUSccccccwEcccccc'PJ(cc&ccc'8VAccccc_Hcccccc'8Hcc&ccc'Occcc2222 22& DECENT BOWTM Kb`[* ?NZX&a\T' H`2 5b^\3 MY-#2^ac,3FDQCRZ[.*F5-^bac=52<1322*!3] Elec CelloTM Kb`[* ?NZX&a\T'LH`2 5b^\s MY-#2^ac,sFDQCRZ[.*F5-^bac=52<1322*!3] ELECTROCELTM Kb`[* ?NZX&a\T'LH`2 5b^\s MY-#2^ac,sFDQCRZ[.*F5-^bac=52<1322*!3]ELECTROVIO_2c_)s[_2c_c_2c_;Z_2c_;c_2#NcK:[0`CcKSc^C_<2222 !Y8 LIVINPIANO5@ 6FYZ7V] ZX& a\T''s>`2 6[^_2YY-# ^ac,BFDQ*RZ[61R-,^ba:c(^C_<2222-!>NEW ORCHST5@ 6FQN7P 5C&V\TRR-c\Y"C.-#-^ac,P:c"\Q&RZW'8X48^ba8c^C_<2222$7 PHILHARMONc*2;ccc!- ,c17.cZP&M=#cbZ. ;W58c_\2cccba'L)-caV4c W^1322#  Solo Violn5@ 6FYZ7V] ZX& a\T''s>`2 6[^_2YY-# ^ac,BFDQ*RZ[61R-,^ba: c(^C_<2222-!>STRGS 21.1c.c]W61G c.c]W69Mc.c]W6T.!#c\Tcc.c]W6 T.!#c\Tc^C_<2222&!STRING PAD56c\V:556V\V:T`6c\V:M,-6cUR8a8VKG1R\>69S-)cUF: c^C_<2222 STRINGS 1 5@,6c\87:65C&6V\J:T`6c\Y:K24#)c\[3b<:ccG#3R\W69V4+c\Z:c^C_<2222. STRINGS 3 HL _\\'p7LI ^\\Sc bbbbE; 0`__'p]Q _\\pM=8 0bbb'_T__<2222' 8 STRINGS A3 <5bPU6I\5 <5bPU6975 <5bPU6)T3F6c\Trb5.<5b__6S2F6ca_cbbbb2222&! G SYN.STR. 2PD2Uc/@7 UcMV2 2ca2$D_<(2cA('4 <P 7cb. = c^EGNcK3>a%` C^F<?Z^X_<,222 "!HardRoads _KP^OE<@c(c?*@cZc4#YQcccZccc3ccc +c4(,]c%clccccc2222 9 WireStrungcZ"'cN 6c(c%%cU^c\cN 6 cccU<ccZ"$cN 6;c(c%"cU;^cccc2222# PianoBells_2c_)[U_2c_t__2c_;Y_2c_< __-#NcK; P`CcK_cccc2222 !8FullTines cA4;cc':I\A1c]c(?\ ccDcc#3c\A;c]c;^cF-3cYc4cAD cA(Dcc$ Hccccc2222 ( RubbaRoad cUc ]"Z-2DcU3L ?*cD2Nc cDPF#4cZr cUU@c][ZcXUBc]Bccccc2222(HardTines ÷FORMHBANKSHDRYamaha DX7II Addit Parms Bank h # ðC ÷`fC #1mc)ÙØDXiiAPBCOMM€FIND€NAME FILE pianos1.APBTRAN2 ðC` `f÷ ghÿRECVðC ÷hÿAUDIÿXTRA“BODYhðC`222222222222222222222222222222222222222222222222222222222P22222222FORMBANKSHDRYamaha DX7II Micro User 1  ðC ~LM MCRYM÷ CDXII\Micro.sqt 1ŠkßÝDXiiMU1COMM€FIND€NAME FILENewTRAN< ðC~ LM MCRYM  ÷ ÿ RECV ðC ~LM MCRYM÷ÿXTRA1Šk¥ãÙBODYðC~ LM MCRYM÷FORMBANKSHDRYamaha DX7II Micro User 0  ðC ~LM MCRYM÷ CDXII\Micro.sqt 1ŠkÞÝDXiiMU0COMM€FIND€NAME FILENewTRAN< ðC~ LM MCRYM  ÷ ÿ RECV ðC ~LM MCRYM÷ÿXTRA1Šk£ãÙBODYðC~ LM MCRYM÷FORMVBANKSHDRYamaha DX7II System Setup gU ðC ~LM 8973S ÷_eCDXII\System.sqt U1ŠkXDXiiStmCOMM€FIND€NAME FILENewTRAN< ðC~_LM 8973S _e÷ fgÿRECV ðC ~LM 8973S ÷gÿXTRA1Šk¡ãÙBODYhðC~_LM 8973S @  !"#$%&'()*+,-./0123456789:;<=>?8÷